Painting Composition and Flight Path of the Falcon

I forgot to post these earlier, but while explaining some aspects of the film to Emma, I drew up a flight path to show how the falcon would navigate the painting (not literally, just as a demonstration showing which era it would fly to based on the layout of the painting) as well as a redesign of the painting's composition.

Here's the re-composed painting and the flight path;

I've already spoken with Neil about it, and I currently need to re-jig the composition of the painting so that the Tate (the building in the centre of the painting) lies on a third instead of dead centre.

Tomorrow's going to be a busy day.