final composition for painting and colour script

Most of the this week was finishing off the last bits of work and doing all of the tweaking to make it all fit together, as such I tried to focus on three main things; finishing the third animatic, getting my colour script done and coming up with the best possible composition for the street painting.

With the colour script I tried to keep it as loose as I possibly could as all I felt was necessary was to give a vague idea about what sort of colours I'd be using for the light and the dark areas in each shot.
Given that the film is really short, I didn't have to compose too many variations.

Following the advice I received, I put the Tate on a third and re-composed the rest of the painting around that, resulting in what I feel is not only a more dynamic concept, but also one that feels much less cluttered while being much more appealing to look at.